3 thoughts on “What are the characteristics of the zodiac jade in the Ming Dynasty?”
Kim
Early Ming: The unearthed and handed down in the early Ming Dynasty had good works. The style inherited the Yuan Dynasty and had rigorous and exquisite work. In 1970, 14 jade belts were unearthed in the tomb of the Wang Xingzu (1371) in Nanjing, and it was cracking up and hidden in the dragon. However, the image and layout of Yunlong are close to the Yuan Dynasty, and the number of jade belt boards does not conform to the bright system. From the spring of 1970 to the beginning of 1971, the tomb of Zoucheng Zhuntan (1389) in Shandong unearthed with jade articles such as crowns, jade belts, jade, jade, jade, jade pens, jade cups, etc., showing the situation of the Ming Dynasty prince's life and burial jade. The jade material used in this type of jade is strong, crushed, polished, and polished, and does not focus on the details. However, strictly speaking, the jade articles of the early Ming have no their own style. Many unearthed jade articles such as the above -mentioned jade belt should be classified into the category of the Yuan Dynasty, or it was originally a jade leftover in the Yuan Dynasty. In mid -Ming Dynasty: Jade in the middle of the Ming Dynasty tended to be brief, inheriting the prosperity of literati culture in the late Yuan and early Ming Dynasty. The processing and distribution of jade wares in the middle of the Ming Dynasty mostly concentrated in the southeast region such as Nanjing, Shanghai, Jiangxi and other places. The white jade and iron abduction Li, white jade butterfly, jade chicken heart, white jade hook, hollowed out longevity jade, jade ring, jade crown, jade cricket, etc., are small and exquisite. Variety and work. During this period, the jade articles began to show the characteristics of society in the Ming Dynasty, and the production and processing of jade articles can also truly represent the characteristics of the Ming society. Tomorrow: Social stability in the southeast area in the early days of the late Ming Dynasty, the economic prosperity of the city, and the wealth of folk, so the yield production increased. At that time, Suzhou's jade industry represents the development trend of the national jade craftsmanship. The representative jade articles in this period include the jade belt hooks, jade bowls, jade bowls, jade pots, jade, jade, jade, jade belts, etc., which were unearthed in the Tombs of the Thirteen Tombs of the Ming Dynasty. Essence Among them, jade pots, jade, etc. are used to use gold or jewelry inlaid process, which is even more colorful. At that time, ancient jade had become antiques (or antique) and was a special product of high -priced. In order to obtain high -profit, businessmen created a large number of fake antiques with low -quality jade materials such as inferior jade and color mixed jade. The number of jade articles surged, and the arts became obviously rough. There were fewer precision. Due to the prosperity of urban economy in the middle and late Ming Dynasty, the development of handicraft industry, and frequent overseas trade, the entire arts and crafts were dominated by the production and export of goods, so the pursuit of the number of pursuits and neglecting the bad tendency of art. Following, the jade craftsmanship also has a trend of commercialization. The jade tires are heavy, rigid, handling, and tedious decorations. There are a large number of jade pots and jade cups that have been circulated so far. In terms of patterns, it is consistent with the social atmosphere of the late Ming Dynasty. Fu Rui's auspicious homophonic theme is very popular. This pattern of "the picture must be intentional, the meaning must be auspicious" is first to pray for blessings, and the second is to take care of beauty. Late famous worker Lu Zigang's jade reflects the staggered development of jade, antique jade and literati in this period. The ingredients and influences of urban people and literati in jade culture are increasing. This is the result of the prosperity of urban commodity economy and commercialization of jade production, and it is also a new change in jade culture in my country.
The jade articles of the Ming Dynasty have the following characteristics. 1: In the Ming Dynasty, the valley nail lines were mostly beaten with tube drills. 2: An animal -shaped ears are mostly recessed with cone diamonds, rare straight tube. The rotation is thin and uneven. 3: The yin line is wide and extensive, the edges are sharp, and the grooves are obvious. 4: The foundation is unclear and uneven, commonly known as [hemp bottom]. In overall, the decoration line of the Ming Dynasty was mainly wide and deep, and the cross -section was [V] font, parabolic linear, and peaks from the first and tails. The jade materials of the jade wares of the Ming Dynasty mainly use the delicate and warm Hetian jade. Song Yingxing's "Heavenly Gong Kai" records the grand occasion of the jade material at that time. Xing, the car entered China, unloading Yanjing. Jade workers discerned, priced at high, and then followed. " In the Ming Dynasty, through maritime trade, a large number of rare gems were obtained, and the rare gems were expanded. The decoration and decorative techniques of jade articles in the Ming Dynasty, there are rich animal pattern dragons, pythons, phoenixes, lions, tigers, deer, sheep, horses, rabbits, monkeys, cranes, goose, fighting fish, flying fish, etc. Peony, lotus, sunflowers, orchids, pomegranate flowers, ganoderma, camellia, etc.; prevail in patterns as shades or border or tributes, joy characters, life characters, flow clouds, flowers, waves, etc. There are two types of the most characteristic characteristics: one is deeply influenced by the art of literati painting, and there is an unprecedented art, painting, calligraphy and printing art on the jade articles; the other is that Fu Rui's auspicious homophonic theme is very popular. Auspicious decoration. For example, a monkeys with a monkeys mean "immediately sealed" and the meaning of the halberd pattern is "Jiqing". It jade articles in the Ming Dynasty, from the perspective of the instrument, are mainly jade gifted, decorative jade, study of house supplies, and daily utensils. The jade gifted instruments are mainly jade and jade; the decorative jade belt plate, hook, buckle, jade 簪, chicken heart pendant, flower piece, square jade card, etc.; Wait; daily utensils include jade boxes, jade cups, jade pots, golden custard jade, etc. It's jade in the Ming Dynasty, mostly combined with gold and silver gem inlaid process. This type of utensils are integrated into one, with macro and sapphires inlaid on the jade decorations; there are gold -inlaid jade bands; there are gold or sapphires on the decorations; Noble style.
Basic features of the jade artificial in the Ming Dynasty: In the early Ming Dynasty, the overall style of the decoration tended to be concise and magnificent. Most of the dragons and birds and birds were the main theme. Flowers were good at portraying the large flowers of the whole plant. In the middle of the Ming Dynasty, it gradually developed towards a delicate and delicate direction. Flower themes were mostly composed of folding branches and tangled flowers, which have fresh and lively characteristics. The style of the late Ming Dynasty tended to be complicated and slightly trivial. The jade craftsmanship of the Ming Dynasty included relief, transparent carving, yin line carving, etc. The carving techniques were rough and thick. It was said to be "bright and rough". The hollow techniques were generally used. Early carving craftsmanship is concise and round, and it tends to be exquisite in the mid -term. It often comprehensively uses a variety of techniques on the same utensils. The "flowers under the flowers" techniques appear, and the combination of gold and silver fine work and gem inlaid technology can reach the point of pure fire. The layered carving method appears in the middle and late stages, which looks exquisite and clear, and achieves more realistic artistic effects. The antique jade in the Ming Dynasty was also very popular, and some reached the degree of chaos. The jade characteristics of jade articles in the Ming Dynasty: The surface layer is shiny, and the surface of the jade ware will flash and luster. The polishing technology of Jade in the Qing Dynasty has changed, and jade articles no longer have crystal and transparent luster, so the texture is more likely to distinguish between the two. Antique fake persons deliberately pursue the gloss characteristics of ancient jade, but it is difficult to achieve the expected effect, and it is easy to show their feet. In recent years, antique pseudo -pseudo -changing polishing technology has been changed, and rubbing with leather strips and waxes can appear like glass -like luster, but the gloss is as new, as if it is wrapped in a transparent film, which can still see the flaws in it. This is due to different materials and different processing tools. Compare with the standard device, you can see the difference in the surface gloss of the jade articles and find out the flaws.
Early Ming: The unearthed and handed down in the early Ming Dynasty had good works. The style inherited the Yuan Dynasty and had rigorous and exquisite work. In 1970, 14 jade belts were unearthed in the tomb of the Wang Xingzu (1371) in Nanjing, and it was cracking up and hidden in the dragon. However, the image and layout of Yunlong are close to the Yuan Dynasty, and the number of jade belt boards does not conform to the bright system. From the spring of 1970 to the beginning of 1971, the tomb of Zoucheng Zhuntan (1389) in Shandong unearthed with jade articles such as crowns, jade belts, jade, jade, jade, jade pens, jade cups, etc., showing the situation of the Ming Dynasty prince's life and burial jade. The jade material used in this type of jade is strong, crushed, polished, and polished, and does not focus on the details. However, strictly speaking, the jade articles of the early Ming have no their own style. Many unearthed jade articles such as the above -mentioned jade belt should be classified into the category of the Yuan Dynasty, or it was originally a jade leftover in the Yuan Dynasty.
In mid -Ming Dynasty: Jade in the middle of the Ming Dynasty tended to be brief, inheriting the prosperity of literati culture in the late Yuan and early Ming Dynasty. The processing and distribution of jade wares in the middle of the Ming Dynasty mostly concentrated in the southeast region such as Nanjing, Shanghai, Jiangxi and other places. The white jade and iron abduction Li, white jade butterfly, jade chicken heart, white jade hook, hollowed out longevity jade, jade ring, jade crown, jade cricket, etc., are small and exquisite. Variety and work. During this period, the jade articles began to show the characteristics of society in the Ming Dynasty, and the production and processing of jade articles can also truly represent the characteristics of the Ming society.
Tomorrow: Social stability in the southeast area in the early days of the late Ming Dynasty, the economic prosperity of the city, and the wealth of folk, so the yield production increased. At that time, Suzhou's jade industry represents the development trend of the national jade craftsmanship. The representative jade articles in this period include the jade belt hooks, jade bowls, jade bowls, jade pots, jade, jade, jade, jade belts, etc., which were unearthed in the Tombs of the Thirteen Tombs of the Ming Dynasty. Essence Among them, jade pots, jade, etc. are used to use gold or jewelry inlaid process, which is even more colorful. At that time, ancient jade had become antiques (or antique) and was a special product of high -priced. In order to obtain high -profit, businessmen created a large number of fake antiques with low -quality jade materials such as inferior jade and color mixed jade. The number of jade articles surged, and the arts became obviously rough. There were fewer precision. Due to the prosperity of urban economy in the middle and late Ming Dynasty, the development of handicraft industry, and frequent overseas trade, the entire arts and crafts were dominated by the production and export of goods, so the pursuit of the number of pursuits and neglecting the bad tendency of art. Following, the jade craftsmanship also has a trend of commercialization. The jade tires are heavy, rigid, handling, and tedious decorations. There are a large number of jade pots and jade cups that have been circulated so far. In terms of patterns, it is consistent with the social atmosphere of the late Ming Dynasty. Fu Rui's auspicious homophonic theme is very popular. This pattern of "the picture must be intentional, the meaning must be auspicious" is first to pray for blessings, and the second is to take care of beauty. Late famous worker Lu Zigang's jade reflects the staggered development of jade, antique jade and literati in this period. The ingredients and influences of urban people and literati in jade culture are increasing. This is the result of the prosperity of urban commodity economy and commercialization of jade production, and it is also a new change in jade culture in my country.
The jade articles of the Ming Dynasty have the following characteristics. 1: In the Ming Dynasty, the valley nail lines were mostly beaten with tube drills.
2: An animal -shaped ears are mostly recessed with cone diamonds, rare straight tube. The rotation is thin and uneven.
3: The yin line is wide and extensive, the edges are sharp, and the grooves are obvious.
4: The foundation is unclear and uneven, commonly known as [hemp bottom].
In overall, the decoration line of the Ming Dynasty was mainly wide and deep, and the cross -section was [V] font, parabolic linear, and peaks from the first and tails.
The jade materials of the jade wares of the Ming Dynasty mainly use the delicate and warm Hetian jade. Song Yingxing's "Heavenly Gong Kai" records the grand occasion of the jade material at that time. Xing, the car entered China, unloading Yanjing. Jade workers discerned, priced at high, and then followed. " In the Ming Dynasty, through maritime trade, a large number of rare gems were obtained, and the rare gems were expanded.
The decoration and decorative techniques of jade articles in the Ming Dynasty, there are rich animal pattern dragons, pythons, phoenixes, lions, tigers, deer, sheep, horses, rabbits, monkeys, cranes, goose, fighting fish, flying fish, etc. Peony, lotus, sunflowers, orchids, pomegranate flowers, ganoderma, camellia, etc.; prevail in patterns as shades or border or tributes, joy characters, life characters, flow clouds, flowers, waves, etc. There are two types of the most characteristic characteristics: one is deeply influenced by the art of literati painting, and there is an unprecedented art, painting, calligraphy and printing art on the jade articles; the other is that Fu Rui's auspicious homophonic theme is very popular. Auspicious decoration. For example, a monkeys with a monkeys mean "immediately sealed" and the meaning of the halberd pattern is "Jiqing".
It jade articles in the Ming Dynasty, from the perspective of the instrument, are mainly jade gifted, decorative jade, study of house supplies, and daily utensils. The jade gifted instruments are mainly jade and jade; the decorative jade belt plate, hook, buckle, jade 簪, chicken heart pendant, flower piece, square jade card, etc.; Wait; daily utensils include jade boxes, jade cups, jade pots, golden custard jade, etc.
It's jade in the Ming Dynasty, mostly combined with gold and silver gem inlaid process. This type of utensils are integrated into one, with macro and sapphires inlaid on the jade decorations; there are gold -inlaid jade bands; there are gold or sapphires on the decorations; Noble style.
Basic features of the jade artificial in the Ming Dynasty: In the early Ming Dynasty, the overall style of the decoration tended to be concise and magnificent. Most of the dragons and birds and birds were the main theme. Flowers were good at portraying the large flowers of the whole plant. In the middle of the Ming Dynasty, it gradually developed towards a delicate and delicate direction. Flower themes were mostly composed of folding branches and tangled flowers, which have fresh and lively characteristics. The style of the late Ming Dynasty tended to be complicated and slightly trivial. The jade craftsmanship of the Ming Dynasty included relief, transparent carving, yin line carving, etc. The carving techniques were rough and thick. It was said to be "bright and rough". The hollow techniques were generally used. Early carving craftsmanship is concise and round, and it tends to be exquisite in the mid -term. It often comprehensively uses a variety of techniques on the same utensils. The "flowers under the flowers" techniques appear, and the combination of gold and silver fine work and gem inlaid technology can reach the point of pure fire. The layered carving method appears in the middle and late stages, which looks exquisite and clear, and achieves more realistic artistic effects. The antique jade in the Ming Dynasty was also very popular, and some reached the degree of chaos.
The jade characteristics of jade articles in the Ming Dynasty: The surface layer is shiny, and the surface of the jade ware will flash and luster. The polishing technology of Jade in the Qing Dynasty has changed, and jade articles no longer have crystal and transparent luster, so the texture is more likely to distinguish between the two. Antique fake persons deliberately pursue the gloss characteristics of ancient jade, but it is difficult to achieve the expected effect, and it is easy to show their feet. In recent years, antique pseudo -pseudo -changing polishing technology has been changed, and rubbing with leather strips and waxes can appear like glass -like luster, but the gloss is as new, as if it is wrapped in a transparent film, which can still see the flaws in it. This is due to different materials and different processing tools. Compare with the standard device, you can see the difference in the surface gloss of the jade articles and find out the flaws.